An Alternative Method in Training Art Educators: A/r/tography in Studio Art Class


Thesis Type: Doctorate

Institution Of The Thesis: Gazi University, Eğitim Bilimleri Enstitüsü, Resim Eğitimi, Turkey

Approval Date: 2018

Thesis Language: Turkish

Student: NURHAYAT GÜNEŞ

Supervisor: Şeniz Aksoy

Abstract:

The main purpose of the study is to investigate a/r/tography practices in painting studio art

class as an alternative method in training prospective art educators. The method which was

used for the study is composed of qualitative research method which aims to find “the truth” by

using interpretivist paradigm and of “a/r/tography” which aims to find “the meaning” and is one of

the art-based research methods. Typical case sampling method which is one of the purposive

sampling methods was used in the study. In order to gather detailed information related to

the aim of the study, observation (unstructured observation), interview (unstructured

interview, semi-structured interview), document review (self-evaluation writings, researcher

diaries, personal narratives), audio and visual materials (photographs, voice records,

telephone messages and portfolio) were used as data collection methods. Interview questions

were prepared after obtaining expert opinions of 5 experts using Lawshe’s Content Validity

Index. Sample application in the study was carried out by the researcher. The data was

obtained from 7 students, the lecturer of the lesson and from the researcher who was the

participant and the observer. Since the study is formed as both qualitative and art-based,

descriptive analysis and content analysis are used in analysis of the obtained data. According

to the findings of the study; a/r/tographic inquiry process in the studio art classes was

structured by the students who generated some meanings by means of living inquiry and

metaphor. By means of a/r/tography practices, artist/researcher/teacher-learner identities of

the students were revealed. Writing and making art in a/r/tography practices enabled students

to develop some ideas. Using of students’ own life experiences in the practices enabled the

creation of original works of art. The students learned to gain awareness and they gained a

significant experience in learning to create a bond with life. With a/r/tography practices, the

students frequently interacted with their surroundings and gained awareness of the

environment. Within the scope of the practice, the students had difficulty in finding ideas and generating meaning. The fact that students were free to find their own ideas made the

practice an encouraging one. By means of the practice, the students inquired for the first time

and they learned to discover the details. The students saw themselves as artists/researchers/

teachers-learners. Because the practices necessitated to research, the students recognized that they also learned outside of the class. The lecturer of the course believes that the practices

contributed to the creativity of the students. The lecturer is of the opinion that the students

returned to their experiences thanks to the practices and thus they found original ideas. The

lecturer has stated that the students did research but they remained limited and that the

students thought and acted just as artists and they produced works which have high artistic

values. She is of the opinion that the learner identities of students revealed by means of their

learning in the class. The lecturer believes that the teacher identities of the students revealed

by means of learning from each other. A/r/tography practices have been shown to be

effective in filling the deficiencies of intellectual skills. For instance, the art education given

to teacher candidates conventionally in studio art classes was not thinking and questioningbased,

the students did not focus on their experiences before and that they did not writing

practice. The practices also have shown to be effective as a contribution in minimising to

have difficulty in understanding the subject, finding ideas and writing.

Key Words : A/r/tography, living inquiry, metaphor, arts-based research, arts-based educational research