When looking at the pages of history, inequalities between men and women, injustice in the intellectual sense, have always been pushed women into the backround in terms of gender with a power comparison. The phenomenon of "men" has always been very important in the eastern and western societies. "Women", which is one of the important building blocks of the society, has always been among these different social inequalities since the past. In this context, while the difficulties experienced by women are addressed in scientific fields such as sociology, psychology and philosophy, they are evaluated in different ways in the field of art. Although the perspectives of societies on the concepts of women and art have been varied for centuries, this process continues in the same way today. Thus, in art, the image of women has been analyzed through gender and body, policies carried out towards women's rights, and the existence of women in social life has been examined from different perspectives. Today, the art of performance and the image of women are in social issues as in many other fields. Together with the performance art, which aimed at eliminating the boundaries between different disciplines such as theater, visual arts, dance and music. The phenomenon of women is expressed in the funamental thoughts which are desired to be conveyed (Kılınç, 2007: 36). In this study, it is aimed to reveal the position, psychological and social dimension of the female figure in the society with performance art in the past and present time frame. In this context, the study was limited to how the Turkish artist Elçin Acun, who was interested in performance art, emphasized the place of women in society by using the female body in her art. This research is limited to Turkish artist Elçin Acun, who is interested in performance art, uses the female body in her art and wants to emphasize the place of women in society. In addition, literature review and work analysis method were used in the qualitative research model technique.